Joel Grey wouldn’t have been in the film if director Bob Fosse had his way The producer apparently “loved” her ideas about the production, which undoubtedly helped her win the part. When she met with the film’s producer, she was quick to explain why she thought Brian’s sexuality shouldn’t be changed.
Minnelli didn’t want the film to water down its exploration of sexualityĬabaret immediately made waves over Michael York’s character Brian, who has sexual relationships with both Sally and Maximilian – and Minnelli was determined that the dynamic shouldn’t be changed for the big screen.
“And that’s when he said, ‘You got it.’ That’s when I got it,” she later revealed. That’s when she decided to invite him to her show, where she performed “Cabaret”. Minnelli later recounted how she met with the producer, but she still wasn’t sure she had convinced him. Liza Minnelli was working on a show in Paris when one of the film’s producers flew out to meet her to talk about casting her in the film. She fought hard to win the role in the film (Silver Screen Collection/Hulton Archive/Getty) 7. I’ll do the movie.’ I was young and I just knew it.” Liza Minnelli in Cabaret. “For some reason, I thought right away, ‘That’s OK. When she got word producers had decided to go in a different direction, she wasn’t too phased, as she explained in 2012. Liza Minnelli originally auditioned to play Sally in the Broadway production of Cabaret, but she was reportedly considered too inexperienced for the part – despite the fact that she had already won a Tony Award for Best Actress in a Musical. Liza Minnelli was passed over for the role of Sally Bowles on Broadway She also revealed that she cut her hair into Sally’s unique shape with the help of her co-star Joel Gray. Whaddya got? I’m making this character and I want her to be extraordinary!’ “I was driving down La Cienega, and I saw this eyelash shop,” she explained. Speaking at an event in 2012, Minnelli revealed how she came up with Sally Bowles’ iconic eyelashes. “I went to my father and asked him, ‘What can you tell me about 1930s glamour? Should I be emulating Marlene Dietrich or something?’ And he said ‘No, study everything you can about Louise Brooks.'” She had originally planned to go blonde for the role, but her father disagreed. Minnelli later recalled how she went to her father, the acclaimed film director Vincente Minnelli, for advice on how she should style herself for the film. You’d be forgiven for thinking that Liza Minnelli’s unique hair style and make-up were the work of an entire team of people – but the actress actually came up with the look herself. Liza Minnelli invented her own unique look for Cabaret Fifty years on, it still holds the record for having won the most Oscars without taking home the top prize. In total, Cabaret walked away with eight Oscars – but it missed out on Best Picture to The Godfather. In addition to Liza Minnelli’s win for Best Actress at the 1973 Oscars, Bob Fosse was named Best Director, Joel Gray won Best Supporting Actor, and the film was recognised for its cinematography, art direction, editing, score and sound. Cabaret won eight Oscars – but it missed out on the biggest award of the night She had performed it live in the past so she already had a history with the track.Ĭabaret’s director, Bob Fosse, initially wasn’t a fan of the song, but he later warmed to it when they decided on the staging. “Maybe This Time” wasn’t part of the original Broadway musical, but Minnelli loved it so much that she urged Kander and Ebb to include it in the film. Liza Minnelli was a big fan of the song “Maybe This Time”, which had been written by John Kander and Fred Ebb in 1964 specifically for the actress Kaye Ballard – and it was thanks to her the song ended up making the cut. ‘Maybe This Time’ was included in the film on Minnelli’s request Some of the Broadway musical’s songs can be heard playing in the background at various points in the film. “Maybe This Time” was also a new addition for the film, but it wasn’t written specifically for the project. Songwriters John Kander and Fred Ebb wrote new songs for the film version too, including “Money Money” and “Mein Herr”. That was a unique departure for the time. Instead, the focus lies on the Kit Kat Club, with all but one of the film’s songs performed from the stage. In fact, many of the songs in the stage version were cut from the film.
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